A BookLife review of ‘Writing at the Wellspring’

  • Post category:Book News
  • Reading time:2 mins read

A couple of months ago, before Writing at the Wellspring was published, I entered it in the annual nonfiction book contest held by BookLife, a service of Publishers Weekly. The final outcome remains to be announced, but each entry receives a report from a professional BookLife critic. The one for Wellspring arrived recently, and the response was highly positive toward both the book’s content and its prose:

Plot/Idea: Writing at the Wellspring takes a refreshing approach to the craft of writing by recentering on the ancient concepts of the muse (or demon) as a force of inspiration, perseverance, and passion. Less a work of practical advice for writers, Cardin’s book is a philosophical treatise on creativity, its purposes, and its mysteries.

Prose: Cardin’s prose is at once academic in tone and richly lyrical; the subject matter and the wealth of references and allusions make for invigorating reading.

Originality: In a sea of titles offering tips for outlining and scaffolding a piece of writing, Cardin gives readers permission to embrace the beauty and uncertainty of the creative process, while pulling from a primal source, and arriving at a place of personal and/or spiritual renewal.

Character/Execution: Cardin balances autobiographical material with literary history, philosophy, and mythology. Writers who may feel they have lost touch with ‘the muses,’ but are discouraged by more conventional writerly advice, will be emboldened to ‘write into the dark.’

I especially appreciate the accurate characterization of the book as as “a philosophical treatise on creativity, its purposes, and its mysteries.” If this description resonates, Writing at the Wellspring might be a book you’d enjoy. Learn more about it. Or jump straight to ordering your copy.

Some solitary Christmas piano music, played by me

  • Post category:Creativity
  • Reading time:1 min read

In sync with the current season, I have recently been playing a lot of Christmas-themed piano music in private, and I recently decided to record and share one of those songs. It’s a lovely and haunting arrangement of “What Child Is This” by New Age pianist and composer David Lanz, from his 1994 album Christmas Eve, which I highly recommend. I posted the recording yesterday at The Living Dark, along with some brief notes about my history as a pianist and my interpretation of this particular song. You can read and listen here:

For another Christmas piano performance by me, drawn from the same Lanz album, see this from a year ago:

‘Writing at the Wellspring’ is now available

My new book, Writing at the Wellspring: Tapping the Source of Your Inner Genius, is officially published today.

The book explores creativity, silence, inner guidance, the tension between spirituality and writing, and the deeper sources from which writing—and life itself—unfolds. It offers a contemplative approach to creative work that draws on nonduality, spiritual inquiry, and decades of reflection on the creative process.

BookLife from Publishers Weekly has described the book as “an intimate journey into the mystery of creativity and spirit.” Joanna Penn calls it “a guide for writers who welcome the dark and hunger for meaning.” Some of the readers who encountered the book in the course I taught from the pre-publication manuscript last year — an audience of writers, artists, educators, and more — have called it “revolutionary,” “the perfect book for this moment in my life,” and “a gift to anyone with a core creative longing.”

Writing at the Wellspring is available in ebook and trade paperback editions through Amazon, Barnes & Noble, Kobo, Apple Books, and other major retailers.

Full details, reviews, and purchase links can be found here:

Preorders open for ‘Writing at the Wellspring’

  • Post category:Book News
  • Reading time:3 mins read

My next book, Writing at the Wellspring is now available for preorder. The book releases on December 15. Immediately after preorders opened, it became for several days the bestselling new title in one of its Amazon categories.

Cover of Writing at the Wellspring

Here’s a description:

“A guide for writers who welcome the dark and hunger for meaning. . . . If the page is a threshold, this book will show you how to cross.” —Joanna Penn, author of Writing the Shadow

Have you ever felt that your truest creative work comes from somewhere beyond your conscious control? That in your best moments, you’re not so much writing as being written through? The ancients had a name for this force: the muse or daemon, the hidden genius that shapes authentic art and calls us toward our deepest purpose.

If you’ve ever felt blocked, burned out, or adrift in your creative life, this book is an invitation to return to that source. In a world crowded with noise and distraction, creativity asks us to step back into silence.

Writing at the Wellspring is a guide to creativity at its deepest level. Matt Cardin, known for his writings on creativity, spirituality, and the supernatural, draws on twenty-five years as a writer, teacher, and explorer of the darkly numinous to examine the ancient idea of the daemon muse as a hidden force that shapes authentic expression and life purpose.

Part memoir, part spiritual manifesto, and part guidebook for writers and creators, the book traces the undercurrents of resistance, silence, and awakening that flow beneath genuine art. More than a productivity manual, it shows how writing can become a kind of monastic practice: a way of renewal, an act of attention that aligns with the ground of nonduality, and a return to presence that steadies us in a collapsing world.

At once personal and cultural in scope, Writing at the Wellspring invites authors, artists, and seekers to reimagine their creative lives as a path of awakening, guided by the hidden currents of genius within. It’s a companion for creators in the spirit of Julia Cameron’s The Artist’s Way, Natalie Goldberg’s Writing Down the Bones, and Steven Pressfield’s The War of Art. But where those books focus on overcoming resistance and building practice, Writing at the Wellspring reveals creativity as a contemplative path, a way of awakening that unites your inner and outer lives in the fulfillment of your deepest calling.

“I can’t think of any [other books] that link the creative act so uniquely or persuasively with spirituality.” —Victoria Nelson, author of On Writer’s Block

This project has been a long and layered journey, involving years of writing, revising, distilling, and deepening, and it’s meaningful to see it taking its first public step into the world. If the themes of creativity, silence, the daemon muse, spiritual awakening, and the deeper currents beneath writing and life resonate with you, please consider preordering a copy.

We live in a demon-haunted world

Asmodeus, from the 1863 edition of Collin de Plancy’s Dictionnaire infernal

It’s the day before Halloween as I type these words, and here’s a reading suggestion to celebrate or otherwise acknowledge, enjoy, or honor the special flavor, ambience, and purpose of the season if you’re so inclined: “Defining the Demonic” by Ed Simon, from The Public Domain Review, October 25, 2017.

The subhead explains:

Although Jacques Collin de Plancy’s Dictionnaire infernal, a monumental compendium of all things diabolical, was first published in 1818 to much success, it is the fabulously illustrated final edition of 1863 which secured the book as a landmark in the study and representation of demons. Ed Simon explores the work and how at its heart lies an unlikely but pertinent synthesis of the Enlightenment and the occult.

Actually, the essay is well worth reading any time of year if you’re someone who’s drawn to insightful renderings of the way esoteric matters from the past can deeply inform crucial aspects of the present, as in the following brilliant passages:

While it’s true that the grand experiment of the Enlightenment was supposedly to shine the light of rationality upon the shadows of superstition, the desire to assemble all possible information is one which the grimoire and the dictionary share. And this yearning towards completion and the all-encompassing is not just a superficial similarity, for in their obsessions with words and language, the grimoire and the dictionary share a common faith — that mere verbal pronouncements have the ability to rewrite reality itself….

[B]oth magic and reason have a motivating belief in the inherent explicability of reality: that there is a given order to the world and that human minds can comprehend and control this order. Whether that order is supernatural or natural is somewhat incidental; that there is structure to the system is what is important….

With their words listed like demons, their concern with proper order and grammar (lest our spells don’t work), dictionaries can be seen as modern, secular grimoires. The Dictionnaire infernal, far from being an archaic remnant, reminds us that sharp distinctions between antiquity and modernity ultimately mean little. Ours has always been, and always shall be, a demon-haunted world.