Bradbury’s book people, Eisenhower’s military-industrial complex, and piano music for Dracula

An update on recent activity at my newsletter that may be of interest to all my readers:

First, a few days ago I published a reflection on Eisenhower’s dire warning about the military-industrial complex and the way his words actually proved to be a prophecy about where America was headed. In this post, I suggest that in our present-day, real-world dystopian scenario, the “monastic option” that Morris Berman famously laid out in his book The Twilight of American Culture—that is, the choice to deliberately preserve and pass down to a future generation some form of knowledge or way of living that can serve as the seed of a future renaissance—seems a valid and even necessary life path to adopt. By way of illustrating the point, I refer in my post to one famous fictional example of this monastic option in action: the “book people” in Ray Bradbury’s Fahrenheit 451.

Second, just today I published a recording of my own personal piano setting of the famous opening theme from director Paul Morrisey’s Blood for Dracula, sometimes known as Andy Warhol’s Dracula, along with the story of why I love this music and how I came to create a piano version of it nearly 30 years after I first started trying:

Click on either image above to open the corresponding post.

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